This book engages with the changing ways in which we, as a society and culture, look upon and interact with animals, stressing how much animals differ among themselves. An invitation to appreciate the peculiar role of animals in telling important if uncomfortable truths about who we are and where we are heading – namely, towards a world so much poorer in cultural, moral, and biological diversity – as a result of the ongoing decimation of so many other species. Drawing on a variety of thought ranging from that of Midgley, Plumwood, and Murdoch to Levinas, Derrida, and Habermas, from ecophilosophers to conservation biologists, Animal Lives and Why They Matter asks how we have come to this, and what an alternative, less destructive approach to our now precarious coexistence with animals might look like. Spanning the disciplines of philosophy, psychology, and anthropology, this enquiry into various cross-species relationships and encounters will appeal to scholars and students across the humanities and social sciences with interests in philosophy, ethics, human-animal interaction, and environmental thought.

This book engages with the changing ways in which we, as a society and culture, look upon and interact with animals, stressing how much animals differ among themselves. An invitation to appreciate the peculiar role of animals in telling important if uncomfortable truths about who we are and where we are heading - namely, towards a world so much poorer in cultural, moral, and biological diversity - as a result of the ongoing decimation of so many other species. Drawing on a variety of thought ranging from that of Midgley, Plumwood, and Murdoch to Levinas, Derrida, and Habermas, from ecophilosophers to conservation biologists, Animal Lives and Why They Matter asks how we have come to this, and what an alternative, less destructive approach to our now precarious coexistence with animals might look like. Spanning the disciplines of philosophy, psychology, and anthropology, this enquiry into various cross-species relationships and encounters will appeal to scholars and students across the humanities and social sciences with interests in philosophy, ethics, human-animal interaction, and environmental thought.

This book engages with the classic philosophical question of mind and matter, seeking to show its altered meaning and acuteness in the era of the Anthropocene. Arguing that matter, and, more broadly, the natural world, has been misconceived since Descartes, it explores the devastating impact that this has had in practice in the West. As such, alternatives are needed, whether philosophical ones such as those offered by figures such as Whitehead and Nagel, or posthumanist ones such as those developed by Barad and Latour. Drawing on recent anthropological work ignored by philosophers and sociologists alike, the author considers a radical alternative cosmology: animism understood as panpsychism in practice. This understanding of mind and matter, of culture and nature, is then turned against present-day posthumanist critiques of what the Anthropocene amounts to, showing them up as philosophically misguided, politically mute, and ethically wanting. A ground-breaking reconceptualization of the natural world and our treatment of it, Cosmologies of the Anthropocene will appeal to scholars of sociology, social theory, philosophy and anthropology with interests in our understanding of and relationship with nature.

A thought-provoking volume on Edvard Munch’s often neglected pictures of nature, exploring the Norwegian artist’s landscapes, seascapes, and existential environments in light of his own time and ours This richly illustrated catalogue provides a multifaceted perspective on the pictures of nature and landscape by Norwegian artist Edvard Munch (1863–1944). This important topic has been neglected in scholarship on Munch, despite the fact that it is a major motif in his oeuvre. This volume is the first to explore the theme in its full breadth throughout Munch’s corpus, including his paintings, lithographs, watercolors, and woodcuts. His depictions of forests, farmland, and the seashore, as well as paintings of sea storms, snow, and other extreme weather, present us with undulating forms that animate nature. They likewise provide an example of Munch’s preference for liminal spaces where transformations take place, often celebrating human interaction with nature in its many manifestations. The book also considers Munch’s less conventional landscapes, and particularly those where his famous Scream motif occurs. These environments depict nature in an existential way, suggesting that the artist held a deep concern for nature’s destruction by humans—a concern no less relevant today. A complementary look at his writings as primary sources alongside his images shows how Munch mixed a scientific perspective on nature with metaphysical and spiritual notions of rebirth that permeate other parts of his corpus. The book also includes a engaging short story by award-winning author Ali Smith that was inspired by Munch's work. Distributed for MUNCH  Exhibition Schedule: Clark Art Institute, Williamstown, MA (June 10–October 15, 2023) Museum Barberini, Potsdam (November 18, 2023–April 1, 2024) Munch Museum, Oslo (April 27–August 24, 2024)

This book engages with the classic philosophical question of mind and matter, seeking to show its altered meaning and acuteness in the era of the Anthropocene. Arguing that matter, and, more broadly, the natural world, has been misconceived since Descartes, it explores the devastating impact that this has had in practice in the West. As such, alternatives are needed, whether philosophical ones such as those offered by figures such as Whitehead and Nagel, or posthumanist ones such as those developed by Barad and Latour. Drawing on recent anthropological work ignored by philosophers and sociologists alike, the author considers a radical alternative cosmology: animism understood as panpsychism in practice. This understanding of mind and matter, of culture and nature, is then turned against present-day posthumanist critiques of what the Anthropocene amounts to, showing them up as philosophically misguided, politically mute, and ethically wanting. A ground-breaking reconceptualization of the natural world and our treatment of it, Cosmologies of the Anthropocene will appeal to scholars of sociology, social theory, philosophy and anthropology with interests in our understanding of and relationship with nature.

A study of the increasingly precarious relationship between humans and nature, this book seeks to go beyond work already contributed to the environmental movement. It does so by highlighting the importance of experiencing, rather than merely theorizing nature, while realizing that such experience is becoming increasingly rare, thus reinforcing the estrangement from nature that is a source of its ongoing human-caused destruction. In his original approach to environmental philosophy, the author argues for the reinstatement of nature's value outside of its exploitative usefulness for human ends. Such a perspective emphasizes the extent to which the environmental problem is a concrete reality requiring urgent action, based on a multi-sensuous appreciation of humans' dependence on nonhuman lifeforms. Designed as an accompaniment to undergraduate and postgraduate research, The Denial of Nature draws on empirically informed literature from the social sciences to examine what life is really like for humans and nature in the era of global capitalism. The book contends that capitalist society exploits nature - both in the form of human capital and natural capital - more relentlessly than any other and offers an environmental philosophy which actively opposes current developments. Through discussions of the work of Teresa Brennan, Theodor Adorno, Martin Heidegger and Hans Jonas, and through a radical critique of the nature deficit in Jurgen Habermas' theory of capitalist modernity, The Denial of Nature relies on insights from Critical Realism to bring together several, seldom-linked philosophies and suggest a new approach to the heavily-discussed question of environmental ethics. Arne Johan Vetlesen is Professor of Philosophy at the University of Oslo, Norway and the author of twenty books among them Perception, Empathy and Judgment: An Inquiry into the Preconditions of Moral Performance (1994), Closenes: An Ethics (with H. Jodalen; 1997), Evil and Human Agency (2005) and A Philosophy of Pain (2010). .

A study of the increasingly precarious relationship between humans and nature, this book seeks to go beyond work already contributed to the environmental movement. It does so by highlighting the importance of experiencing, rather than merely theorizing nature, while realizing that such experience is becoming increasingly rare, thus reinforcing the estrangement from nature that is a source of its ongoing human-caused destruction. In his original approach to environmental philosophy, the author argues for the reinstatement of nature's value outside of its exploitative usefulness for human ends. Such a perspective emphasizes the extent to which the environmental problem is a concrete reality requiring urgent action, based on a multi-sensuous appreciation of humans' dependence on nonhuman lifeforms. Designed as an accompaniment to undergraduate and postgraduate research, The Denial of Nature draws on empirically informed literature from the social sciences to examine what life is really like for humans and nature in the era of global capitalism. The book contends that capitalist society exploits nature - both in the form of human capital and natural capital - more relentlessly than any other and offers an environmental philosophy which actively opposes current developments. Through discussions of the work of Teresa Brennan, Theodor Adorno, Martin Heidegger and Hans Jonas, and through a radical critique of the nature deficit in Jurgen Habermas' theory of capitalist modernity, The Denial of Nature relies on insights from Critical Realism to bring together several, seldom-linked philosophies and suggest a new approach to the heavily-discussed question of environmental ethics. Arne Johan Vetlesen is Professor of Philosophy at the University of Oslo, Norway and the author of twenty books among them Perception, Empathy and Judgment: An Inquiry into the Preconditions of Moral Performance (1994), Closenes: An Ethics (with H. Jodalen; 1997), Evil and Human Agency (2005) and A Philosophy of Pain (2010). .

Evil is a poorly understood phenomenon. In this provocative and original approach to evil, Professor Vetlesen argues that to do evil is to intentionally inflict pain on another human being, against his or her will, and causing serious and foreseeable harm. Vetlesen investigates why and in what sort of circumstances such a desire arises, and how it is channeled, or exploited, into collective evildoing. He argues that such evildoing, pitting whole groups against each other, springs from a combination of character, situation, and social structure. By combining a philosophical approach inspired by Hannah Arendt, a psychological approach inspired by C. Fred Alford and a sociological approach inspired by Zygmunt Bauman, and bringing these to bear on the Holocaust and ethnic cleansing in the former Yugoslavia, Vetlesen shows how closely perpetrators, victims, and bystanders interact, and how aspects of human agency are recognized, denied, and projected by different agents.

Evil is a poorly understood phenomenon. In this provocative and original approach to evil, Professor Vetlesen argues that to do evil is to intentionally inflict pain on another human being, against his or her will, and causing serious and foreseeable harm. Vetlesen investigates why and in what sort of circumstances such a desire arises, and how it is channeled, or exploited, into collective evildoing. He argues that such evildoing, pitting whole groups against each other, springs from a combination of character, situation, and social structure. By combining a philosophical approach inspired by Hannah Arendt, a psychological approach inspired by C. Fred Alford and a sociological approach inspired by Zygmunt Bauman, and bringing these to bear on the Holocaust and ethnic cleansing in the former Yugoslavia, Vetlesen shows how closely perpetrators, victims, and bystanders interact, and how aspects of human agency are recognized, denied, and projected by different agents.

In Perception, Empathy, and Judgment Arne Johan Vetlesen focuses on the indispensable role of emotion, especially the faculty of empathy, in morality. He contends that moral conduct is severely threatened once empathy is prevented from taking part in an interplay with cognitive faculties (such as abstraction or imagination) in acts of moral perception and judgment. Drawing on developmental psychology, especially British "object relations" theory, to illuminate the nature and functioning of empathy, Vetlesen shows how moral performance is constituted by a sequence involving perception, judgment, and action, with an interplay between the agent's emotional (empathic) and cognitive faculties occurring at each stage.

In the powerful tradition from Kant to present-day theorists such as Kohlberg, Rawls, and Habermas, reason is privileged over feeling and judgment over perception, in such a way that basic philosophical questions remain unasked. Vetlesen focuses our attention on these questions and challenges the long-standing assertion that emotions are damaging to moral response. In the final chapter he relates his argument to recent feminist critiques that have also castigated moral theorists in the Kantian tradition for their refusal to recognize a role for emotion in morality.

While the book's argument is philosophical, its method and scope are interdisciplinary. In addition to critiques of such philosophers as Arendt, MacIntyre, and Habermas, it contains discussions of specific historical, ideological, and sociological factors that may cause "numbing"--selective or broad-ranging, pathological insensitivity--in humans. The Nazis' mass killing of Jews is studied to illuminate these and other relevant empirical aspects of large-scale immoral action.